Crane Among Pines – Hand Forged 1045 Carbon Steel Katana Sword
The name 松间鹤唳 – Crane Among Pines – conjures a single image: white against deep green, stillness broken by one clear note. This katana earns that image. The blade carries a blued-and-polished finish, a two-tone treatment where the spine holds a deep oxidized blue while the edge is hand-polished back to bright silver. That contrast is the whole visual argument of this piece, and it is a compelling one.
Specifications
| Blade Steel | 1045 Carbon Steel, blued spine / polished edge (烤蓝刃口研白) |
| Total Length | 102.0 cm / 40.2 in |
| Blade Length | 72.0 cm / 28.3 in |
| Blade Width | 3.2 cm |
| Weight | 1040 g / 36.7 oz |
| Heat Treatment | Temper |
| Fittings | Alloy |
| Handle | Cotton ito wrap |
| Sheath | Solid wood, piano lacquer finish (实木钢琴烤漆鞘) |
The Steel
The blade is forged in shinogi-zukuri (鎬造) geometry – the traditional ridgeline profile you recognize from classical Japanese swords, with a defined shinogi ridge separating the flat of the blade from the beveled edge. On a display piece, that geometry is primarily a visual asset: the ridgeline catches light differently than the flat, adding dimension and directionality to the blade’s surface. The 1045 carbon steel here is finished with a specialized 烤蓝 bluing process along the body of the blade, a controlled oxidation that produces the dark, even blue-grey tone running from spine toward center. The 研白 polish then strips that oxidation back from the edge, leaving a bright, mirror-like strip that reads almost white against the blued ground. The line where those two finishes meet is clean and deliberate – it is the defining visual detail of this blade.
In Your Hands
The saya (sheath) is solid wood finished in piano lacquer – gloss, reflective, the kind of surface that photographs cleanly under any lighting. The deep lacquer black of the saya sets off the blue-silver of the blade when the two are shown together. The cotton ito wrap on the handle runs in the traditional diamond pattern, firm under the hand, with a neutral tone that does not compete with the blade’s two-tone finish. Mounted horizontally on a wall stand, the full 102 cm length reads elegantly, the curved profile of the shinogi-zukuri geometry visible from across the room.
Care
Wipe the blade surface with a soft, dry cloth to remove fingerprints and dust. Apply a light coat of camellia oil every few months to protect the blued finish from humidity. Store in the saya when not displayed to protect the lacquer and blade finish from direct light exposure over time.





























